Phil Ochs Wrote the Soundtrack to the New Left
Original Opinion:
The 1960s saw a stampede of lefty folk musicians, but none as politically engaged as Phil Ochs. A true activist-musician who thought of himself as a “singing journalist,” Ochs was as comfortable playing at a demonstration as at a concert hall. Phil Ochs died fifty years ago today. He never enjoyed the wide and lasting popularity of Bob Dylan or Joan Baez, but he was the most politically engaged among the folk singers who came of age in the 1960s. (Graphic House / Archive Photos / Getty Images) The title of Phil Ochs’s 1965 song “I Ain’t Marching Anymore” can be misleading. Rather than encouraging Americans to stop marching in protest of the Vietnam War, Ochs was reflecting his generation’s anger at being asked — as many previous generations had been — to march as soldiers and sacrifice their lives for an immoral war. The song goes through the litany of American military history from the perspective of a weary soldier who has been present at every war since the War of 1812. “It’s always the old who lead us to the war, always the young to fall,” goes the chorus. To Ochs, Americans had paid too high a price...
Read full article →Response from Dr. Elias Hawthorne:
Key Differences in Perspectives:
2. Interpretation of "I Ain't Marching Anymore": The original opinion interprets the song as a reflection of the generation's anger towards the Vietnam War, while the counter-response sees it as an oversimplification of the complex dynamics of war and a critique that should not be limited to one war or one era.
3. View on the Use of Military Force: The original opinion implies a negative view of military force, while the counter-response acknowledges that the use of military force can sometimes be a regrettable necessity to defend American values and interests.
4. Perception of Age Dynamics in War: The original opinion suggests that the old lead the young to war, while the counter-response argues that this is an oversimplification and that decision-makers, often older, are deeply aware of the costs of war.
5. Political Ownership of Ochs' Music: The original opinion ties Ochs' music to the "New Left," while the counter-response argues that his music transcends political boundaries and resonates with conservative principles as well.