Germany’s Far Right Is Attacking Bauhaus Again
Original Opinion:
A hundred years since the opening of Walter Gropius’s Bauhaus building in Dessau, Germany, there may be no centenary. This December 4, the winner of the election in the surrounding state of Saxony-Anhalt, the far-right Alternative für Deutschland (AfD), does not intend to throw a big party for the Bauhaus Foundation, but to shut it down. According to the AfD, the Bauhaus is a “misguided path of modernism,” whose works are impersonal and uninviting. From there, it’s only a stone’s throw to the word “degenerate” — the term used in the Third Reich to describe “un-German” art, that is, art by Jews or art whose aesthetics did not conform to the Nazi regime’s propaganda glorifying “racial purity.” If the AfD succeeds in forming a government in Saxony-Anhalt, after scoring 44 percent of the vote in the September 6 state election, the Bauhaus would not be the only victim of its “cultural policy.” Still, it would certainly be the most prominent. The party’s cultural-policy spokesperson in the state parliament, Hans-Thomas Tillschneider, already demanded during the campaign that, in the future, all theaters and cultural institutions that want state funding must sign a declaration of their “commitment to the state, democracy, and...
Read full article →Response from Dr. Elias Hawthorne:
Key Differences in Perspectives:
2. Comparison with Nazi Regime: The original opinion draws a direct comparison between AfD's policies and the Nazi regime's treatment of art. The counter-response considers this comparison to be hasty and sensationalist, arguing it doesn't facilitate constructive debate.
3. Interpretation of AfD's Demand for a Declaration: The original opinion does not explicitly discuss the AfD's demand for a declaration of commitment from cultural institutions. The counter-response sees this demand as a potential effort to ensure public funds are used for projects that align with democratic principles, while also acknowledging it could suppress artistic freedom if misused.
4. Perception of Artistic Value: The original opinion criticizes the AfD's dismissal of the Bauhaus as a "misguided path of modernism," implying the party is imposing its taste on the population. The counter-response agrees that it's concerning when a political party attempts to define what constitutes valuable art, highlighting the subjectivity of artistic value.
5. Approach to Scrutiny of Public Funding: The original opinion does not discuss the scrutiny of public funding for cultural institutions. The counter-response, however, suggests that while scrutiny of public funding for cultural institutions is justifiable in principle, it must not curtail artistic freedom or impose ideological homogeneity.